《布里杰顿家族》由Shondaland和创剧人克里斯·凡·达森联合打造，讲述了在摄政时期的伦敦，强大的布里杰顿家族的大女儿达芙妮·布里杰顿（菲比·黛内芙饰）在竞争激烈的婚恋市场上首次登台的故事。达芙妮希望以父母为榜样，找到一段真爱至上的婚姻，她的前景似乎是不可限量的。但当她的哥哥开始阻扰她潜在的追求者时，神秘的威索顿女士编撰出上流社会丑闻对达芙妮进行中伤。哈斯丁公爵（雷吉-让·佩吉饰）是一个集魅力与叛逆精神于一身的人，他忠于单身主义，却依然是初入上流社会的富家女之母们的宠儿。尽管两人宣称不想要对方的任何东西，但在一场愈发激烈的智斗中，他们在试图摆脱社会期望的同时不可否认地相互吸引并擦出火花。《布里杰顿家族》是一部融合浪漫、丑闻和智慧元素于一体的剧集，讲述的是永恒的友谊、寻找方向的家族以及对超越一切的爱情的探索。此外，该剧集主演还包括果尔达·罗斯乌威尔、乔纳森·贝利、卢克·牛顿、克劳迪亚·杰西、妮可拉·考夫兰、鲁比·巴克、萨布丽娜·巴特利特、鲁丝·吉梅尔、阿卓艾·安多、阿卓艾·安多、贝西·卡特和哈丽特·肯斯，并由朱莉·安德鲁斯为威索顿女士配音。该剧集的灵感来源于茱莉亚·昆恩的畅销小说。
鬼才导演韦斯·安德森众所瞩目的《法兰西特派週报》，故事从二十世纪法国一间美国报社萌芽，一家驻法国城市的美国杂志社，将一段又一段的精彩故事放送给世人。藉由三则引人入胜的专题报导，带著观众展开冒险奇想。
We are in East Berlin, 1978. It’s summer, three years after Wassilly’s death. Nelly’s boyfriend and Alexei’s father died in a car accident in Russia. Since he is dead, Nelly wants to leave too. Away from the GDR, to leave the grief and the memories behind. To get a fresh start. That should be possible in the West, or so Nelly believes.
老板与员工之间的关系，始终是一个是一个难解的谜题。 一场开诚布公的对话，能够解决什么样的问题？ 老板面对员工不同的诉求，如何理解、如何对话、如何决策？ 聚焦员工和老板关系的系列纪录片《老板不知道的我》第四季再度归来！ 本季每期将围绕一组“绝望”的员工和渴望挽回一切的老板，提供一个平等交流的对话场。 这一次，我们关注员工的视角，深度坦白，勇敢诉说，让老板知道，“我是谁”、“我在做什么”、“我想要什么”。 一场打破上下级沟通壁垒的新鲜对话，从“不知道”到“知道”，有意外，有交锋，有和解，有换位思考，也可能以无法调和告终，员工和老板的关系在沟通中被重新定义，有问题，直接找老板谈！
做事得過且過，活在漫天陰霾下的地產經紀-志行，從小受母親呵護，一直過著平凡人生。一天，志行重遇小學恩師-體育老師黃sir。黃sir為了承諾離世妻子的10公里跑約定，即使患病也要練習參賽。同時，黃sir學生肥妹天心，為了跟偶像一起跑步，不惜減肥，把生命豁出去，誓要完成人生首個5公里街跑。志行見黃sir、天心各自為著目標奮發，自己卻站在人生交叉點迷路，沒充氣的人生，繼續一分一秒地洩氣。直至某天，一份20年前的回憶忽然來到志行跟前，照亮他那心裡的陰霾，這一次，志行誓要好好為人生打氣！
因为拥有“钻”进画中地点的能力，“异能者”齐勋（高瀚宇饰）每次在使用此种异能时都会头痛难忍，机缘巧合下他遇到了自己命中的“治愈者”封双双（陈芋米饰），原本只是想试探封双双身份的齐勋，在一次次接近封双双的过程中，不知不觉间竟爱上了她。与此同时却牵扯出了一系列身边人及上一代的家族秘密，恩怨纠葛、爱恨交织，齐勋和封双双最终该何去何从......
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
宾邵邦、凯子、王保罗、黄森等是全国选出来的跆拳道精英。安排往选手村接受集训。各人背境不同，他们年少贪玩，经常与女子游泳队互相戏弄，引起事端。他们与韩国队跆拳比赛中对垒，一心想尝试胜利的滋味，谁料都一一被打败。他们大受打击，要离开选手村。孟虎教练非常心痛，教训了他们一顿后，他门团结一致决心接受一连串艰苦训练，再与韩国队决战。经过重重困难，最后终获得胜利。
母子共同經營的“諾曼汽車旅館”再度開張，新來的房客請小心！在經過多年隔離與心理治療後，諾曼貝茲（安東尼柏金斯，「激情之罪」）決定自己可以再次當個稱職的汽車旅館老闆，給他的房客一個溫暖而血腥的接待；韓特警長、餐館老闆、以及女侍梅娜都認為諾曼已改頭換面，但事實上卻不是這麼一回事，剛購入製冰器的諾曼決定讓這台嶄新的機器增加一項新用途，實驗對象則是不知情的房客們，加上總是只聞其聲，不見其人的諾曼"媽媽"在一旁推波助瀾，喜愛恐怖片的觀眾即將再次領略驚聲尖叫的刺激快感；本片是由男主角安東尼柏金斯親自執導，並邀來澳洲籍演員傑夫法漢（「神鬼奇兵」、「鐵迷宮」）參與演出。
污城有一个叫supermate事务所的组织，所长莫斯利安，风度翩翩的乔不思，见义勇为的五郎，温文尔雅的白夜，乖巧聪明的小丸子。他们过着太平无事的生活，用着各自的超能力警恶惩奸，锄强扶弱。在某次执行任务时，事务所意外遇见了自称夜猫侠的邵女心，随着邵女心的加入，事务所奇怪的事情一桩桩地发生，二舅莫三弦失踪、大巴车爆炸，所有成员的身份也被逐渐揭开。