一切都始于一次“平常”的事故。一名司机撞到一辆三轮车，结果掉进了沟里。开车的是五十多岁的路易斯，他是一名殡仪业者。在沟里的是伊戈尔，一个脑瘫的残疾人，爱好哲学。他每天运输有机蔬菜，远离外部世界和所有社交生活。他的旅伴是苏格拉底、斯宾诺莎和尼采。对于身边的男女，他一无所知，忽略了所有或几乎所有关于感性、友谊、性和周遭真实发生的一切。这两人即将开始一场超出他们想象的冒险。
一直以来，汤姆（迈克尔·道格拉斯 Michael Douglas 饰）都勤勤恳恳的在岗位上工作着，他的目的没有别的，就是希望能够升职成为副总裁。就在汤姆的目标就要达成之时，凭空杀出的美女美迪（黛咪·摩尔 Demi Moore 饰）让他的梦想成为了泡影，这个女人不仅夺走了副总裁的职位，还成为了汤姆的上司。然而，更让汤姆感到尴尬的是，这个美迪不是别人，正是自己的旧情人。 美迪似乎对汤姆旧情难忘，否则也不会把他叫到办公室里对他动手动脚，没想到，这一桃色事件传到老板的耳中却完全变了模样，心怀不轨的美迪竟然状告汤姆对她进行性骚扰。汤姆识破了美迪的阴谋，为了保全自己的清白和工作，他必须和这个“女魔头”抗争到底。
本片是一部音乐歌舞片，集七十年代爵士乐之大成。在1980年第33届戛纳国际电影节上获得金棕榈奖，获52届奥斯卡（1979）最佳服装设计、最佳剪辑，最佳音乐三项金像奖。◇剧情介绍◇作为一个音乐剧迷，即使你不太熟悉金像奖导演BobFosse这个名字，我打赌你也一定听说过托尼奖和奥斯卡的大赢家《芝加哥》和《歌厅》，Fosse分别是这两部音乐剧电影版的编剧和导演，他的另一部著名作品就是这部《爵士春秋》。（其实只要稍微留意就可以从《芝加哥》的编舞上发现许多《爵士春秋》的影子，而且《芝加哥》开门见山的第一只曲子就是‘AllThatJazz’。）《爵士春秋》可称是BobFosse本人的半自传影片，片中的主人公是一位叫JoeGideon的百老汇资深导演，他天马行空，我行我素，才华横溢，但是由于没有树立起远大的理想和正确的人生观和世界观，工作的压力和情感的放纵使他灰心厌世，健康每况愈下，最后在其作品的歌声舞影中，Gideon哼着《再见我爱》在手术台上踏上了不归之路。人生就是这般无常，Gideon先生可以创造票房奇迹，可以吸引各式各样的女子投怀送抱，但他和我们一样，常常对心灵的空虚和肉体的软弱束然无策。有志趣相投的朋友聊天，有喜欢的文章可读可写，有好听的音乐剧可以欣赏，有幽默的心情可以时常微笑，有不含SARS病毒的空气可以呼吸――不知道这样简单的幸福上天还可以赐我们多久？金曲提示：《在百老汇》(OnBroadway)、《自君别后》(AfterYou’veGone)、《重焕生机》(EverythingOldIsNewAgain)、《再见我爱》(ByeByeLove)。
在充满未知的魔幻世界里，十二星座的超级能量分别落到了囧囧小学的十二个孩子身上。为了得到十二星座的超能力，来自囧囧星球的囧十二化身为各种角色，企图使用十二星座分辨法战胜这些孩子们。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
Filmed live on stage at the Pantages Theatre in Hollywood, CA, this not-to-be-missed high energy show stars Original Broadway cast members Jeremy Jordan as Jack Kelly, Kara Lindsay as Katherine, Ben Fankhauser as Davey and Andrew Keenan-Bolger as Crutchie. They're joined by North American Tour stars Steve Blanchard as Joseph Pulitzer, and Aisha de Haas as Medda Larkin, and Ethan Steiner as Les along with members of both the Broadway and North American Tour ensembles, filling the stage with more newsies and more dancing than ever before. Set in New York City at the turn of the century and based on a true story, Newsies is the rousing tale of Jack Kelly, a charismatic newsboy and leader of a ragged band of teenaged 'newsies,' who dreams only of a better life far from the hardship of the streets. But when publishing titans Joseph Pulitzer and William Randolph Hearst raise distribution prices at the newsboys' expense, Jack finds a cause to fight for and rallies newsies from across the city to strike and take a stand for what's right.
故事发生在偏远的高山乡村，每个人都讲害怕开始雪崩窃窃私语Tolzbad。这自找的噪声控制情绪和冲动的整体抑制。进入稀薄的空气是有抱负的管家布伦特尼尔。剩余沉默他的同伴，尼尔见证到静音畸变各种，乱论诡秘自杀。总监Guy Maddin阶段早期德国表现主义对讲机的方式，字幕，手工着色的颜色序列，严厉的象征意义，;啪 ;的配乐充满了谨慎。哈尔埃里克森专辑
本剧改编自2019年4月在KBS2播出的月火连续剧《各位国民》，崔始源、李裕英、金玟廷等人主演，围绕着一名偶然与警员结婚的骗子展开，他的过去让其被卷入其他事件之中，无意间获得了“勇敢市民奖”的表彰，更被提议角逐竞选。 此番美版的改编中，Milo将饰演“Charlie”，和正在CIA从事卧底工作的“Emma”（《球手们》“Kate” Catherine Haena Kim饰演）陷入热恋；某晚双方都知晓彼此的身份。Charlie意图通过“洗白”自己的家族生意，最终上岸；“Emma”则在接近与Charlie一家债务有关、极具危险的罪犯；两人被迫重新面对彼此说过的谎言，也要尽可能拯救双方家人幸免于灾难性的后果。