When blonde bombshell Meredith Lake breezes into his office, New York private eye Bob Signorelli can’t resist giving her “personal” attention. But their one-night stand becomes a deadly liaison when they are linked to a homicide; and a night of steamy p
建安五年(公元200年)，曹操与袁绍准备决战于官渡时，突然头痛发作，神医华陀仅为曹操扎了一针便治好了他的病。曹操想将华陀留于军中为自己治病，华陀却想用医术造福于天下疾苦百姓，并研制出麻药，退辞离开。后曹操又发出委任状，使华陀不得不随军任职。华陀偶然发现曹操四子曹冲患有致命隐疾，便写下治疗的药方给曹丕，但曹丕为争权位，将药方烧了。华陀接到妻子云卿讲述发现麻药线索的信，告假连夜返家。但当华陀努力寻找麻药时，爱子沸儿因误服野果中毒身亡，华陀夫妇悲痛万分，将研制成的麻药命名为“麻沸散”。曹操派人将华陀强行押回
一个小姑娘见证她的姐姐和父亲被谋杀，她长大成为有高超功夫的女人后开始追寻她家族的仇人……
夏目诚一经营着一家名叫Mellow的花店，他做着自己喜欢的工作，过着安稳的单身生活。有时候，夏目的姐姐会在她女儿不去上学的日子里把女儿寄养在他这儿，有时则会让濒临倒闭的拉面店店主木帆帮忙照顾。附近理发店老板的女儿，还是中学生的宏美其实一直偷偷喜欢着夏目。花店里来来往往着许多客人，有一天，熟客麻里子向诚一表白了心意，而麻里子的丈夫也在现场……这一出恋爱群像喜剧中，他们的恋情将会走向何处？
This experimental film is based on a novella in which Ahn Jung-hyo attempts to capture the psychology of a woman who misinterprets a letter from her husband. Staged in 42.9 square meters thoroughly by the theatrical conventions, this film seems a Korean version of Lars Von Trier’s .
“你无论如何都有想要杀掉的人，无论怎样都想要杀人吗。”福冈是个外表看起来很和平的城市，但暗中却蔓延着犯罪。如今在杀手行业的激战区，存在着专以杀手为目标的杀手——甚至出现了这样的都市传说。杀手、侦探、复仇代理人、情报商、拷问师etc——，从事黑暗行业的男人们的故事编织而成之时，“专杀杀手的杀手”现身了——。
A group of diverse individuals are suddenly taken from their homes and flown via helicopter to a futuristic bomb shelter in the desert, one-third of a mile below the surface of the Earth. There, they learn that a nuclear holocaust is taking place and that they've been chosen by computer to survive in the shelter in order to continue the human race. The shelter is designed to allow the people to exist underground comfortably for years, but they are faced with a threat nobody could have predicted a colony of thousands of bloodthirsty vampire bats finds a way into the shelter and launches a series of vicious attacks where they claim the humans one by one.
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
仿造大热系列《速度与激情》而拍摄的山寨恶搞电影。主人公卧底警察卢卡斯怀特加盟了由文塞伦托零头的洛杉矶地下飙车党。这群人以刺激和义气为活，将生死置之度外，成了洛杉矶黑帮大佬胡安卡洛斯德拉索尔的死对头。