在整夜的毕业沙滩狂欢聚会后，一群在外游荡20几岁的年轻人在毒辣的太阳下醒来。他们不知道的是一个食肉的沙滩正在吞没一切触摸到他的生物.........
基于真实故事，聚焦由汽车设计师卡罗尔·谢尔比带领的一队美国工程师、设计师，以及他旗下的英国车手肯·迈尔斯，亨利·福特二世要求谢尔比打造一辆全新的赛车，希望能在1966年的勒芒世界锦标赛上打败长期占主导地位的法拉利。最终福特GT40在勒芒24小时耐力赛中成功击败法拉利，并蝉联了1967和1968年的冠军。
20世纪20年代末，拥有不幸身世和遭遇的美丽女子顾海棠（秦岚饰）带着女孩菱子逃往上海，在这个鱼龙混杂的魔都艰难求生。期间她重逢当初曾救助过的男人于立凡（郑嘉颖饰）。于毕业于黄埔军校，此番他为了配合工人运动抵沪。而生活在社会最底层，见识过人性最丑陋一面的海棠，凭借一身胆识和智慧周旋于地头蛇黄龙（杨烁饰）等身份复杂的人中间，却有如一只出淤泥而不染的莲花，在极度肮脏的环境中绽放出灿烂鲜艳的花朵。她一步步成为在上海滩举足轻重的任务，同时不曾遗失善良慈悲的本性，尽一切努力帮助苦难民众，协助于立凡的革命事业。动荡不安的岁月里，顾海棠用生命书写着一个女子不屈不挠的时代传奇……
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
一群警察用特殊手段追捕一名罪犯，以防止马赛陷入血腥屠杀。
马克（Sam Neill 饰）的妻子安娜（Isabelle Adjani 伊莎贝尔 bull;阿佳妮 饰）未留下任何原因离家出走，他一度认为安娜与一个名叫海恩里克（Heinz Bennent 饰）的男人有染，却发现海恩里克也在寻找许久未见的安娜。马克于是雇佣私家侦探调查。但随着线索的逐一呈现，事实的真相反倒令马克等人难以置信。安娜所耽恋的对象竟然是 本片分别荣获1982年戛纳国际电影节和法国凯撒电影节最佳女演员奖、1983年葡萄牙奇幻电影节观众大奖和最佳女主角奖、1981年西班牙圣保罗国际电影节评论奖。
Pet，从海外回来，并住在她的兄弟Taengkwa海滨的房子，Taengkwa的弟弟常常性梦想与个人的姐姐发生关系。一次，弟弟听到Pet与别人ML的声响，不由又开端梦想，岂料梦想成真，姐姐Taengkwa看到他的梦想，便开端和他爱怜起来，随后又名Pet一同，以一段澡堂3P完毕。
99%的情欲 1%的爱情，无法自控的四名男女的欲望故事!为了把这部运动电影拍的更深入人心，剧组还专门请了两个外表清纯内心狂热的岛国女生。（藤浦惠）（阶户瑠李）故事暂且不说，仅仅是这两位岛国女生，能在炕上哼哈两声，在某种程度上仿佛就已经征服了许多单身少年的那半身。当然，作为正统的日韩合拍作品，今天电影的除了画面显得比较清新，剧情及场面同样是简单到不行！ 除了一脸清纯秀色可餐模样，岛国妹子的脸上还挂着没有睡醒过的忧伤，人生路上迷茫，几度彷徨。
巴黎是艺术之都，于是故事不得不带着颜料味，吴镇宇是一位流浪画家，并且得上一种富有艺术气息的病症，在这病症惶惶终日，爱情许久远。杨恭如在上流场合里辗转，在一个切实的目标中寻觅，在爱情和金钱的天平上摇晃，就这样不期而遇上，开一场相互安慰的玩笑。
1945年8月，日寇无条件投降。羊角大娘（丁一 饰）在回村的路上捡到一个弃婴，从包裹婴儿的衣服上看，这应是一个日本小孩，犹豫再三，她还是把他抱回了家。村里乡亲和家人处于对日寇的痛恨，坚决反对她收养这个敌国婴儿，但人性善良的羊角大娘最终留下了他，取名狗娃，当孙子养着。渐渐长大的狗娃善解人意，他把羊角大娘的哑巴儿子葫芦（尤勇 饰）视为父亲，不料葫芦在一次筑路事故中遇难，无奈之下狗娃被送给无儿无女的牛金川（祝士彬 饰）。再后来，日渐年迈的大娘为给女儿秀秀（李婷 饰）换回一笔出嫁的彩礼，把狗娃送给了清凉寺。二十年后，随国家佛教代表团出访的明镜法师（濮存新 饰）到达日本，大岛和子（栗原小卷 饰）从那根腰带上认出了眼前的明镜法师就是自已失散了几十年的儿子...
自定义团圆在每一个平凡或不平凡的故事里，都拥有属于自己的团圆
贝利（萨姆·理查森）和达拉（布列塔尼·斯诺）开始了一种误导和相互欺骗的治疗形式，其中他们必须开车穿越全国，重新再现达拉作为性瘾君子的丰富多彩的历史。随着他们公路旅行的真正动机浮出水面，这对不太可能的情侣们互相强迫他们面对他们的问题，发现实际上可能有更多的爱，而不仅仅是性。