《2023中秋奇妙游》以“月”为引，回归本真，旨在开启一场不一样的心灵之旅。节目以“真实、共情、希望”三个出发点，聚焦各类人群的生活画像和生活故事，展现河南、福建等地的风土人情，呈现“真实的力量”。通过对月亮的文艺化表达，寻找传统文化在当下的映射，投射出不同情绪，带出人生百味，延续中国人千百年的文化基因。
郑加农与妻子刘洁离婚了。郑因脑部受过伤经常剧烈疼痛，他去医院检查时遇到了在部队受伤时护理过自己的护士麦群，两人愉快地回忆起往事。这次相遇唤起了麦群对郑的爱恋，伴随着麦给予的具大精神安慰，郑走完了人生的旅程，而麦群从没有后悔自己的选择。
At the start, a man is almost killed by a woman with a knife. He kills her, but killing someone in this house isn't easy. There's magic at work here that makes people become zombies. We follow a guy who is a weightlifter and bodybuilder who goes on an expedition to this house with some invesigators. They are soon zombified and the muscle builder must use his abilities to try to save a young woman, even as the zombies will reanimate even if cut into pieces. Will he survive?
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
阿简曾经是一名游击队员，经历过战争的残酷洗礼，如今，阿简选择定居新西兰，想要过上平静的生活。一个名叫卡瑞玛的船员让阿简再度陷入了危险之中，他奉命追击这个据说犯了杀人之罪的逃犯。\r经验丰富的阿简很快便将卡瑞玛捉拿归案，可卡瑞玛的反复逃跑无疑为阿简完成任务增加了难度。支撑着卡瑞玛不断逃跑的信念只有一个，那就是他的无辜。在一次又一次的奔跑与追逐之中，阿简逐渐对卡瑞玛产生了兴趣，如果不是碍于身份，他们甚至可以成为趣味相投的好友。当阿简知道了卡瑞玛的无辜后，他还会选择继续执行他接受的命令吗？
讲述的是世界变成冰冻的荒芜之地过后七年，幸存的人类居住在一列永恒运转的巨型列车上，列车有1001个车厢，并区分为各个等级。有钱的精英阶层占据前头，穷人则窝居尾部，毕生遭到压迫的人们决定挺身反抗。 在第一季结束时，雷顿(迪格斯饰)成为了列车的领导者，但他发现威尔福德还活着并且驶上了另一辆列车，梅兰妮冒着危险出门阻止威尔福德入侵雪国列车，一场全新的权力斗争即将浮出水面。
安藤樱将主演NHK新剧《欢迎回來，旅人》(旅屋おかえり，暂译)。该剧根据原田舞叶创作的同名小说改编，讲述惠理子已年过三十，手上有一个名为《小旅行》的旅游节目。经纪人帮她取的艺名“丘惠理佳”，因为日文发音近似“欢迎回来”，为她赢得了不少好感和关注。没想到在一次播出中，惠理子不小心说错了赞助商的商品名称，导致节目就此喊卡。鹈野太太和她的女儿真与都是《小旅行》节目的忠实观众，鹈野太太希望惠理子能够帮行动不便的真与完成旅行的心愿。也因为这个机缘，意外开启了惠理子“代客旅行”的事业。该剧共4集，每集30分钟，前两集为“秋田篇”，后两集为“四国篇”。该剧将于2022年1月播出。
乔治娜·罗德里格斯是一位母亲、网红和商人，也是#C罗#克里斯蒂亚诺·罗纳尔多的伴侣。本片对她的日常生活进行了深入且感性的刻画。
琼·米拉尔是一名60年代非常有才华的妇产科医生，她一直不怀疑自己的医疗技术，但是，她却在那个属于女主内的时代下，面临自己事业和情感许多问题，看着自己的病人每天都带着各自人生在妇产科上演喜怒哀乐时候，却很少有人在乎她这个人的故事，而她和她的几个朋友在那个60到70年代女性主权改革的时代又会发生怎样的人生变化？ Love Child is an Australian television drama series that follows the lives of staff and residents at the fictional Kings Cross Hospital and Stanton House in Sydney in 1969. The drama was created by Sarah Lambert and was first...