以色列于1948年建国之后，周围的阿拉伯邻居都痛恨这个新兴犹太国，他们认为犹太人没有资格成立一个国家，更不应在巴勒斯坦地区建国。以色列建国之后所面临的第一次战争是1956年的苏伊士运河危机，以色列前国防部长、独眼龙战将戴阳击垮了埃及，成为民族的英雄。埃及纳塞尔总统一直在阿拉伯世界鼓吹民族主义，试图建立一个泛阿拉伯联盟，并由他自己作领导人。二十世纪六十年代中期，以色列开始发展核武器，苏联突然于1967年春天告知埃及和叙利亚，以色列即将大规模入侵叙利亚。但那时以色列并没有侵叙的意图，克里姆林宫也许是想挑起中东战火，藉以摧毁以色列的核武基地。作为对苏联人情报的响应，纳塞尔于1967年5月14日动员军队，进驻西奈半岛。两天后，埃及人要求联合国维和部队后撤。自1953年苏伊士运河战争后，这支联合国部队就驻扎在西奈半岛，隔开埃及军队和以色列军队，纳塞尔在叙利亚首都大马士革、约旦首都安曼和沙特首都利雅得的政敌们，都曾嘲笑他躲在联合国维和部队屁股后面，避免与以色列人一决雌雄。一周以后，纳赛尔终于按耐不住了。
卫华和段玉从小就有做演员的梦想，为了实现这个梦想，他们只身来到横店，但是到了横店之后才发现，其实做一个演员并没有想象中的那么简单！还好他们遇到了同样追梦的钟婷和慧欣，带着他们俩把所需的资料都准备好。在做好了演员证想要接戏的时候才发现，演员并不只是演好戏就可以的，还要忙于各种应酬，还有圈子里面各种乱象让他们接受不了，卫华和段玉在非常恼怒的情况下打伤了选角导演，导致他们在横店接不到戏演，最后段玉拿出了自己所有的积蓄，加上一帮朋友的帮忙，自己做了一部微电影，也结识了好的导演，完成了自己最初的梦想，当然，这是结束也是开始，演员的路很长，希望他们能够好好走下去。
马建国是一名职业扮演者，目的就是通过假设情景来使雇主完成某种目的。有一次一个神秘雇主寄来一箱子钱还有一个药瓶，雇主打电话要求马建国跑到雇主朋友家假死，以此来实现吓朋友一跳的目的，马建国看在钱的份儿上欣然答应，跑去雇主朋友家。乔装打扮好后去到雇主朋友家，才发现这个所谓朋友是老相识。马建国给狗试过假死药，是会真的要命的，于是意识到有人要害他们，将计就计，假装马建国真死，并将他秘密火化，准备揪出神秘雇主，然而火化工早已被买通，真的烧死了马建国，这背后究竟还有什么隐情，活人真的被烧死了吗？又引出怎样的的阴谋和迷局?就在《玩命局中局》
故事通过小人物吴浩威如何拖延林老板携赃款潜逃的过程，展现在复杂的时代背景下，小人物如何战胜心中贪念，见义勇为，战胜邪恶的精神面貌。面对突如其来的巨款，一时心生贪念，人皆有之，小保镖吴浩威也不例外。
叶随天在一场车祸中失去了记忆，身体恢复之后，他一直都在努力的寻找着丢失了的过去。一次偶然中，叶随天得到了自己曾经使用过的手机，和一本日记，日记里记载的内容成为了叶随天追寻记忆的重要线索。某日，叶随天邂逅了多年前的好友小马，通过攀谈，叶随天震惊的发现，日记里记载的内容竟然和现实大相径庭，究竟是什么样的情况会让他在日记里撒谎呢？通过曾经的恋人孟思雨，叶随天又离真相近了一步。原来，孟思雨患上了不治之症，疾病会让她渐渐失忆，所以，孟思雨将自己的回忆全部写在了日记里。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
莎拉（肖娜·麦克唐纳 饰）本来平静幸福的生活被一次车祸意外打破，丈夫和女儿在事故中丧生，她虽然活了下来却从此一蹶不振，为了让莎拉重新振作起来，她的五个女性朋友为她安排了一次探险旅行，地点是在一个丛林中荒僻而古老洞穴，茹诺(娜塔丽·杰克逊·门多萨 饰)是其中最有野外探险经验也是她选择来到这里。正当女孩们对山洞中景色惊叹不已时，却在不知不觉中惊扰了洞中另外一种生物，他们没有视觉，依靠声音的来源残忍的捕杀她们，女孩们为了自救团结起来，却在逃生中朋友间互生怀疑，为了生存下去，她们要如何在狭小黑暗的洞穴中找到出去的路呢？
影片讲述相声始祖朱绍文（武宾 饰）在清末不畏强权，坎坷的艺术人生。相声祖师爷朱绍文在天桥下根据字意谈古论今说笑话，每解释完一个字定能使人发笑。王府的格格爱上了朱绍文，却遭到王爷的反对，被许配到将军府。王爷处处刁难陷害朱绍文，可朱绍文还是因相声红遍了北京城，被老佛爷封为天桥八大怪之首…… 本片运用演艺与事件相结合的手法，集喜剧、爱情、动作、传统文化于一身，再现相声这一门传统艺术的起源，活灵活现的展示了相声行业公认的祖师爷—朱绍文坎坷的艺术人生