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动作成长型电视剧《脆弱的英雄》讲述了先天性脆弱的少年利用大脑、工具和心理进行斗争的故事，是一部让人期待新英雄诞生的作品。由获得了miseenscene短篇电影节最优秀作品奖的柳秀敏导演执导，朴志训将饰演主角延时恩。
戴维（尼古拉斯·凯奇 饰）是名天气预报员，可是他没有专业知识能用在工作上，当预报的天气并不理想时，观众们会在街上肆意向他丢垃圾。戴维对自己的生活感到灰暗，与妻子（霍普·戴维斯 饰）离婚更是对他的一个打击。如今他得到一个前往纽约重新工作的机会，可是他必须要面对与孩子们并不融洽的关系。儿子迈克被戒毒时认识的辅导员性骚扰；女儿雪丽的肥胖被学校的同学耻笑，性格忧郁。更令戴维伤心的是，他的小说家父亲罗伯特（迈克尔·凯恩 饰）患上了绝症。
唐微微（李冰冰 饰），32岁，既是设计公司的白骨精，也是大龄剩女。她的闺蜜靳小令（薛佳凝 饰）在怀孕期间，热心为她网络征婚并安排了相亲。结果，唐微微装孕妇吓跑了大多数，只剩下一个杨年华（孙红雷 饰），两人由此相识。与此同时，唐微微所在公司接了美国的客户，见面时她发现客户代表竟是7年前抛弃自己的男友王洋（段奕宏 饰）。他们从18岁开始恋爱，青梅竹马度过7年，终因王洋为理想奔波而分手。如今，昔日恋人重逢，别有一番滋味在心头。此时，杨年华却开始了一波又一波的热情攻势，无论是嘘寒问暖还是炒菜做饭，都体贴入微。而王洋也不甘示弱，意图通过忆苦思甜昨日重现唤醒唐微微重回他怀抱。于是，情敌之战，一触即发…… 本片改编自作家陈彤的同名小说。
″恐怖″をテーマに、奇妙でユーモラスな怖い世界を映画化した5話のオムニバス。「快盗ルビイ」以来6年ぶりの和田誠監督作品で、脚本も和田が担当。撮影は「大病人」の前田米造。1話ごとに原作もキャストも異なるが
在阿巴拉契亚山脉，一个残忍的犯罪头目用拳头控制着他的生意和家庭，不惜一切代价来确保周围所有人的忠诚。当他的儿子遇到了他梦想中的女孩，迫切地想逃离这种生活，从父亲的魔爪中解放出来时，他不得不与这个可怕的男人进行面对面的谈判。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
高浪为了保护战友叶无双，只身回到老家猎户村。在村子的围猎宴上，高浪发现叶无双即将临盆，不便即刻转移。抓捕叶无双的敌军突然出现。敌军杀死无辜村民并掠走叶无双，高浪凭借谙熟猎户在丛林里的捕猎技巧，与敌军小队在丛林里展开了一场生死对决……
故事以加藤实秋的小说「Maison De Police」系列为原型，描绘了主人公新进刑警牧野ひより（高畑）来到了只有退休警察居住的共享房屋「Maison De Police」，被一群能力超群知识丰富前警察“大叔”们呼来喝去的同时，解决了一个又一个案件的故事。
抗战时期，新四军战士杨浩天在带领掉队的战友--卫生员豆花儿、士兵小虎、冯四一等人归队时，与被日军追击的国军情报员秦瑜在迷云岭相遇。两方人马，在猎户女儿三喜的帮助下，从敌对到合作，共同抵御天险，抗击日军。众人各自利用所长，成功阻止了日军追踪拦截的计划，为情报的顺利送达争取到了宝贵的时间。然而寡不敌众，新四军等人接连牺牲，关乎着更多人性命的情报落入到杨浩天手中，他将作何选择...
某东南亚小国，龙飞（陈虎饰）和帕于（托尼贾饰）为了谋生，参加了一项秘密的“人道主义救援”任务，没想到他们救下的却是臭名昭著的犯罪分子柯林斯（斯科特·阿金斯饰）俩人还差点为此送命密谋报仇的二人在地下拳赛中碰到了武艺高强的扎卡（伊科·乌艾斯），扎卡的妻子在这次行动中无辜殒命，三人把酒言欢，没想到第二天扎卡就把他们送到了警察局。中国富商的女儿田小娴（卢靖姗饰）因做慈善触动了黑帮的利益而被追杀，仓皇逃入警察局，而这时黑帮尾随而至，血洗警局。龙飞和帕于只好带着田小娴踏上亡命之旅，两人赤手空拳，杀手如影随形，田小娴满腹疑虑，扎卡敌友莫辩，幕后黑手若隐若现。龙飞和帕于最终与敌人展开了殊死一战。
这是一部浪漫爱情剧，由李南星和黄丽玲领衔主演。故事讲述在Jazz Pub当侍应的方晴，每日虽辛勤工作赚钱，但心里一直盼望着白马王子尽快出现。风度翩翩的文峰是Pub的常客，方晴对他心仪已久。情人节的夜晚，寂寞难耐的文峰找接口送方晴回家，然后与她发生一夜情。方晴惊悉文峰只当是 一场游戏，不禁伤心拂袖而去。文峰感到内疚，后发现自己其实对方晴有情。正当文峰想重新追求方晴时，文峰的女友爱菱却出现，令方晴再度受伤害而毅然离去。三年零八个月后，恢复平静的方晴再次遇见文峰，两人一时恍如隔世……