あいざわあつこ、ツキシロギンのマンガを原作とする本作は、ダブル不倫をきっかけに始まる復讐と新たな恋を描く恋愛ミステリー。笹野香織と拓也は仲のいい夫婦だが、香織には1つだけ不満があった。それは不妊治療中にもかかわらず夜の生活が“ボイコット”状態にあること。ある日、香織は親友の由紀との会話から拓也の裏アカの存在と、不倫を匂わせる投稿の数々を知る。そして香織は不倫相手の三島睦美を特定。その夫・恭介のもとへ向かい、拓也と睦美の絶縁に協力するよう求める。すると恭介は「香織とセックスすること」を条件に承諾。その後、拓也と睦美を尾行した先で香織は恭介と関係を持つが、価値観の近い彼に恋心を抱いてしまう。
故事发生在抗日战争时期。某市接连发生割喉凶杀案，每次都会留下一张梅花Q的扑克牌,神探孙少武（陈继铭 饰）介入侦破。他发现铁燕子（马捷 饰）和香雪俱乐部老板香雪（石兰 饰）都想获得死者遗失的翡翠，原来翡翠上竟刻有汪日会谈的机密。开古玩店的日特山本（张中熙 饰）支使铁燕子骗孙少武与香雪到郊外，他亲自去警局窃翡翠，不料中计险些丧命。孙少武潜入铁燕子住处，打斗中铁燕子被人割喉谋杀。与此同时，香雪盗窃翡翠未果，悻悻离开警局。最后孙少武知悉，俱乐部的柳小琼（朱娜 饰）正是杀手梅花Q，她的真名叫缨子，是个日本人。她为受汪日密谈受牵连而自杀的父亲报仇，杀死了很多无辜......
电视动画《#不道德公会#(#无良公会#)》改编自”河添太一“创作的同名漫画，由“TNK”负责制作。
Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels. The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated. If you miss it you will have to repent!
A woman in the frame’s foreground watches events unfolding in a room. Suddenly, hitherto hidden by her figure, her double enters the scene, and catastrophe ensues. Is this a tricky horror-mystery-thriller by Dario Argento or Brian De Palma? No, it is the extraordinary, unexpected gesture of Indonesian master Garin Nugroho marrying his penchant for other-worldly fantasy with myriad devices of popular genre. A Rotterdam regular over the past twenty-seven years, Nugroho’s impressive body of work spans features, documentaries and shorts, among these acclaimed Opera Jawa, selected for IFFR 2007. The tale of an enigmatic serial killer within the worlds of art and high fashion owes much to the global form of the giallo genre. Still, Nugroho reveals this framework to accommodate Indonesian mythology and spirituality entirely. Masks, snakes, clothing fabrics, trance dances; this entire iconography takes on a renewed, vibrant meaning in Deadly Love Poem. Likewise, modern criminal psychological profiling sits comfortably alongside the intergenerational traumas of family life and cultural constraints. With its non-stop music score, ever-mobile camera, mind-blowing colour and design scheme, Deadly Love Poem stands as an exhilarating corrective to the snobbish current trend of ’elevated horror’ cinema. Nugroho respects old and new traditions and whips them into an unforeseen, intoxicating delirium. 源自：
《梦想光荣1942》是一部战争喜剧，是根据解放军文艺出版社出版、被誉为“平民亮剑”的谢颐丰的长篇小说《气血飞扬》改编而成的。 太平洋战争爆发前，日本军事力量加强了对中国战场的扫荡和反扑。我抗日根据地民主政府实施战略转移的当口，鬼子扫荡的先遣队已经逼近了正在转移的我谷山监狱，其目的是要营救隐藏在犯人中的一个“中国通”日本奸细酒井，拿到支持大扫荡的秘密藏粮图。在转移的最后关头，各怀鬼胎的犯人却正在想办法逃跑。因偷了地主家粮食被判3个月劳动教育的“爱忽悠”梁满贵，闹着要回村看看自己的相好是不是被调戏了。调任到谷山监狱的战士“一根筋”马大壮奉命押着梁满贵回村，刚到村口却无意中诈出了其他犯人想逃跑的急情，急忙调头将梁满贵押回监狱。路上，马大壮又突然发现鬼子战马新鲜的马粪，惊呼糟了！ 马大壮赶回监狱，正撞上鬼子先遣队的偷袭和犯人逃跑。一场激战过后，监狱长和管教为掩护犯人一个个倒下，犯人们则在大乱中作鸟兽散。 监狱长杨明壮烈牺牲，临终前嘱托马大壮要把犯人一个不能少的找回来，然后指着墙上的标语“好好改造重新做人”闭上了眼睛。马大壮临危受命，而梁满贵对监狱长为保护自己而牺牲也深怀感恩，加上梁满贵的未婚妻，一向积极参与抗日斗争的赵冬梅的支持，三人共同担负起了这项光荣任务。 日寇也在寻找逃犯的下落，队长松本下命令，为确保找到地图，犯人要全部抓到。 犯人们东躲西藏，却又各人有各人未了的心愿。红秀一心要找到自己挚爱的丈夫，为了丈夫甘愿重回青楼；鬼不理想方设法要认祖归宗，确认自己的贵族血统；小耗子只想和相好的小白菜生个娃娃，和和美美的过日子；小彪子满脑子想的是回二龙山继承已故父亲的寨主称号；赌三的唯一心愿是赢回被自己输掉的祖宅…… 一边是马大壮的抓捕，一边是日本人的围追，马大壮怎样寻找、感动、感召他们，并带领他们虎口脱险？他们的命运经历了怎样的大逆转？他们的人格经历了怎样的大提升？一众草根最终怎样从卑微走向崇高，成为大写的人？ 《梦想光荣1942》献给每个有梦想、渴望荣光的人！
Ten-year-old Gloria and her recently widowed grandfather Bud befriend a mysterious reindeer when the family gather for Christmas. Bud comes to believe that Prancer may actually be magical, but Gloria fears his theory will send him straight to a retirement home.
故事的灵感来自于流传在印度许久的一个传说。有一个名叫施特丽的女鬼会在夜里出来游荡，并袭击落单的男性。每次行动前，她都会先在背后呼唤对方的名字，当喊到第三声时，这个男人就会如同着了魔一般，转过身去，任由形容可怕、双脚悬空的施特丽将他赤身掳走，只剩下衣服还留在原地.....
《秦时明月》的背景取自秦始皇统一六国到西楚霸王项羽攻陷咸阳时期，已被翻译成7国语言，发行至全球37个国家及地区。 《万里长城》是《秦时明月》的第四部。自从机关城崩塌，墨家势力几乎全部清除。秦帝国又回到太平盛世迷梦中。咸阳宫中的始皇一边动用无数劳工修造万里长城，一边进行着更为精密的计划。现在这个计划已经接近完成，由阴阳家协助完成的巨艇“蜃楼”已经建造完毕。它壮丽精绝的身姿浮现海平面彼端，宛如人人梦想中的 海上仙山。为了解开巨艇“蜃楼”的疑团，各家各派势力慢慢汇聚到这座平静的海边小城。此时，故事主角天明和少羽为了避开秦兵追捕，正在儒家庄园学习和生活。而接下来各种奇异事件在此地发生，小城的平静也被完全打破。“蜃楼”这巨艇即将驶往何方？ 各家各派势力为此慢慢聚集桑海，各种奇异事件在此发生，小城的平静也被完全打破。所有的生死仇，家国恨，都将在此刻凝结......