蜜蜂少女队3

《蜜蜂少女队》讲述了雪儿，希雅和姝涵三位性格各异的少女，原本是普通的学生，机缘巧合下三位少女参加《蜜蜂少女队》的选秀。在室友雨昕的帮助下，一路过关斩将成为当红“蜜蜂少女队”的新成员，历经磨难与质疑，最终实现了梦想的故事。

人类办事处

在经济危机和全球变暖后，未来的世界资源匮乏，食品加工业和各种行业停滞，饥荒、逃亡和战争频发。在这样的背景下，美国政府策划了《新伊甸园计划》，大肆宣扬和鼓励人民移居安置地-新伊甸园，并由人类管理局特工督促无劳动力的人民转移，但真相却并不这么简单。管理局的特工诺亚如何揭开真相，并阻止幕后黑手呢？

蚊子版哥斯拉的诞生#哥斯拉大战超翔龙

哥斯拉破坏日本多年，〈G对策总部〉发明黑洞炮对付。但实验出意外，引来古代巨大昆虫超翔龙重现，并攻击哥斯拉。日本成了哥斯拉、超翔龙及人类三方的战场。

侦探韩森

Netflix出品的《神探可伦坡》风格喜剧。由杰夫·格尔林自编自演，故事描述洛杉矶命案侦探韩森在侦破案件的同时试图找准自己的人生位置。

恋人濡湿

　　外出流浪的克（大江徹 饰）五年后回到家乡，这个渔港小镇依然保留着他离开时的样子，暗淡、无望，一如他此时此刻的心境。克找到一家情色电影院昭和馆工作，不久后便与影院女主人（绘泽萌子 饰）发生不伦之恋。                                                                    　　某天克在野外窥见中学同学光夫（堀弘一 饰）与其女友洋子（中川梨绘 饰）做爱，事后他被光夫暴揍一顿。不过三人却在第二天成为好朋友，光夫更牵线为克介绍女朋友。粗暴的克第一次见面便强行脱掉女孩（苏千露 饰）的衣服，女孩哭着跑开。虽然如此，但克特立独行的性格却渐渐吸引了性感的洋子……

乾坤斗转凤离巢

天道命数人力到底能改变几分？凤凰涅槃十倍奉还！ 本剧改编自阅文作者平仄客网络小说《嫡长女》，本影片通过舒家一门为朝廷尽忠为天下守正，却遭奸人所妒惨遭灭门！女主舒苑后宅闺阁俯瞰京兆政局抽丝剥茧，手刃仇敌拯救家族！但行好事，莫问前尘，顺应本心，无问西东！

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

移情高手

　　陈俊飞和团队以帮助客户解决婚姻情感中的问题而混的风生水起。为了完成一个叫单卓的美女客户委托，陈俊飞亲自下场假冒算命大师伪装明星助理套路满满，对单卓死缠烂打。不料接二连三的麻烦接踵而来，号称移情高手的陈俊飞发现这一次的委托绝对没那么简单。

蓝月

赤月降临，上古邪神蚩尤重现人间，恣意屠戮人类，所到之处血流成河。能力超凡的战士长风（刘宇桥）带领着慕容天歌（文熙）、明月（刘亦彤）以及一众伙伴与蚩尤殊死一战。最终，长风如愿将蚩尤斩杀，成为救世英雄，然而他所珍视的伙伴们纷纷命丧此役。长风悔恨万分，悲痛之时竟意外触动神秘道具，时光倒流，长风回到了十年 前!

产科医鸿鸟

东京都一处Live House中，艺名Baby的音乐家忘我地用钢琴演奏着梦幻曼妙的旋律。很少有人知道，这个男子还有另一个身份，那就是某综合医疗中心的产科医生鸿鸟樱（绫野刚 饰）。鸿鸟技艺精湛，艺术绝伦，无论多么危急复杂的情况下都能作出冷静准确的判断，而且他的性格温柔，对工作极其尽职尽责，即使正在演奏的过程中，一旦接到医院的电话也会立即中止演出赶回医院。当然，专业负责的医疗团队更是不可或缺。28岁的女性医生下屋加江（松冈茉优 饰）、助产士小松留美子（吉田羊 饰）、鸿鸟的同期四宫春树（星野源 饰）都是他最值得信赖的伙伴。暖意浓浓的产科病房，因为有了这群人而充满爱和希望…… 　　本片根据铃木祐树的同名小说改编。

劳拉之谜第二季

NBC已续订《劳拉之谜》第二季。

双世青蛇

昔时，有青白二蛇幻化人间，白蛇私配凡人，犯下天条，镇于雷峰塔下，青蛇遭受牵连被打入寒冰界洛川河遭受雷霆诛心之苦洛川河上渡人魂魄往生的神使寻崖，救下了青蛇并施法定制轮回风水护着青蛇，却未料到三百年后自己天劫将至，面对浩劫他波澜不惊只想着守护青蛇，而魔界少君却与上神牧遥暗中密谋想得到寻崖身上的金刚元珠，有人各怀鬼胎也有人情终一人，世上最难过的就是情关，这情关青蛇过的了吗？这虐恋为你娓娓道来。